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Sunday, December 29, 2013

James Weldon Johnson's Modern Soundscapes

 Associate Professor of African American literature, Dr. Noelle Morrissette, recently published James Weldon Johnson's Modern Soundscapes, which "provides an evocative and meticulously researched study of one of the best known and yet least understood authors of the New Negro Renaissance era" (University of Iowa Press).

"Johnson, familiar to many as an early civil rights leader active in the National Association for the Advancement of Colored People and an intentionally controversial writer on the subject of the significance of race in America, was one of the most prolific, wide-ranging, and yet elusive authors of twentieth-century African American literature.  Drawing on archival materials such as early manuscript notes and drafts of Johnson’s unpublished and published work, Morrissette explores the author’s complex aesthetic of sound, based on black expressive culture and cosmopolitan interracial experiences" (University of Iowa Press).

"Johnson realized early in his writing career that he could draw attention to the struggles of African Americans by using unconventional literary methods such as the incorporation of sound into his texts. In this groundbreaking work, literary critic Noelle Morrissette examines how his literary representation of the extremes of sonic experience—functioning as either cultural violence or creative force—draws attention to the mutual contingencies and the interdependence of American and African American cultures. Moreover, Morrissette argues, Johnson represented these “American sounds” as a source of multiplicity and diversity, often developing a framework for the interracial transfer of sound. The lyricist and civil rights leader used sound as a formal aesthetic practice in and between his works, presenting it as an unbounded cultural practice that is as much an interracial as it is a racially distinct cultural history" (University of Iowa Press).

"The result is an innovative new interpretation of the works of one of the early twentieth century’s most important and controversial writers and civil rights leaders" (Project Muse).  “Noelle Morrissette brings to the forefront an undervalued aspect of Johnson’s amazing career—his attempt to bridge the separation between black political activism and black popular culture. Impressively informed but quite accessible and engaging, James Weldon Johnson’s Modern Soundscapes is an authoritative reconsideration of critical approaches to Johnson. I expect it to be quickly established as one of the essential books for anyone interested in Johnson, and an important methodological model for any scholar working in this period of American cultural history" (John Ernest, University of Delaware).

Miriam Thaggert, Associate Professor of English at The University of Iowa, declares it “an engaging, thought-provoking book... [and] an important work in African American literary studies, American studies, and the growing field of sound studies.”

Thursday, December 12, 2013

Fallen Forests

"In 1844, Lydia Sigourney asserted, 'Man's warfare on the trees is terrible.' Like Sigourney, many American women of her day engaged with such issues as sustainability, resource wars, globalization, voluntary simplicity, Christian ecology, and environmental justice" (UGA Press).

In her recently published book, Fallen Forests, English Professor Karen Kilcup examines nineteenth century American women's environmental writing "to show how women writers have drawn on their literary emotional intelligence to raise readers' consciousness about social and environmental issues" (UGA Press).  Kilcup's extensive research on the subject encompasses a wide range of female voices, including those from marginalized communities, such as Native American, African American, Mexican American, working class, and non-Protestant.  Her analysis extends beyond traditional texts to incorporate Native American speeches, travel writing, slave narratives, and diaries and illustrates their influence on environmental debates of the time.

"Beautifully written, meticulously researched, and brilliantly argued, Fallen Forests is a major contribution to ecocriticism and to the study of nineteenth century American women writers more broadly.  [It is] a remarkably dexterous and insightful work of ecocritical scholarship" (Michael P. Branch).